janni

A c-novel recommendation: I Am Average and Unremarkable, a xianxia by Yue Xia Die Ying (“butterfly shadow beneath the moon”). I’ve enjoyed four other novels by the author, including serious historical romances and the lighthearted xianxia Ascending, Do Not Disturb. If you like the latter, you will likely enjoy this, as it has much the same sense of humor—and more of it.

Our Heroine, Jiu Hui, is a young yao, a word that can mean anything from spirit to monster to demon, but in this world, spirit comes closest—in this case, she’s a plant spirit, specifically a garlic chive spirit. (Yes, that’s a lol.) Other yao in this world are animals and sometimes plants that have absorbed enough power to attain sentience and, for the more advanced, the ability to take human form. Most humans, however, believe yao are inimical monsters as dangerous as demons (also present in this world), so she always presents as human.

The story starts with Our Heroine seeking to join a human cultivation sect because she’s reached the limit of what her remote yao village can teach her about human-style cultivation. Because the larger righteous sects are very into being righteous scourges of both yao and demons, she joins a small, relaxed sect. (Very small: five masters and ten disciples.) This turns out to be an excellent fit, as her apparently weak sect emphasizes evasion and deception techniques, and its interactions with other sects are best characterized on a sliding scale from mooching to grifting—and she, too, is very much a trickster figure. The story doesn’t use the term, but I think of them as specializing in the Dao of Shamelessness, though like many literary Tricksters, they stand with what’s right when it counts. Meanwhile, her Junior Sect Brother, recruited at the same time, turns out to be, ah, let’s call him socially awkward—as in, not well socialized—and he is hardly the only character with a background that is not simple.

It’s a fun book, rolled out with solid pacing. (The author notes are hilarious.) It also has a carefully laid plot that’s the spine of a surprisingly serious thematic core for a xianxia—it examines, from multiple directions, the question of when a sacrifice for the greater good, both willing and not, is morally acceptable. That there’s a literal Omelas situation is only one thread of this. Deep spoilers for the ending in rot13: Gur puvyq va gur onfrzrag vf na vzcbegnag punenpgre, naq gur abiry pyvznk vf onfvpnyyl Bhe Urebvar tbvat ‘jub gur shpx frg hc guvf ohyyfuvg gebyyrl ceboyrz’ naq qrslvat gur urnirayl qnb sbe orvat hawhfg.

I highly recommend this to anyone who’s already read a couple xianxia—it’s probably not a good starter story for the genre, as it leans heavily on convention to avoid explanations, even more so than Ascending, Do Not Disturb. It doesn’t help that the fan translation is a little wobbly (the translator particularly has trouble with verb forms). But if you have the background and can tolerate imperfect prose, this is a great read.

---L.

Subject quote from Teardrop, Massive Attack.

For Poetry Monday:

“One word is too often profaned,” Percy Shelley

One word is too often profaned
    For me to profane it,
One feeling too falsely disdained
    For thee to disdain it;
One hope is too like despair
    For prudence to smother,
And pity from thee more dear
    Than that from another.

I can give not what men call love,
    But wilt thou accept not
The worship the heart lifts above
    And the Heavens reject not,—
The desire of the moth for the star,
    Of the night for the morrow,
The devotion to something afar
    From the sphere of our sorrow?


Another poem Shelley wrote in 1822 that was posthumously published with the editorial title “To ——.” In this case, —— was Jane Williams, with whom he did not in fact have an affair—he wrote several poems to her, all professing deep friendship, but he seems to have truly kept things at that level (with his history, that’s not a given). Jane Williams and her common-law husband, Edward, were close friends with both Shelleys, and Edward died in the same boating accident that killed Percy. The word is, of course, at the end of line 9.

(That rhyme of accept and reject gets a side-eye.)

---L.

Subject quote from My Heart Has a Mind of Its Own, Connie Francis.